The hand written text and the drawn spirals in the figure above,
come from the score of "Das wohltemperirte Clavier" by J. S. Bach.
The above figure with spirals, could contain indications from J. S. Bach, on how to tune a keyboard, according a hypothesis formulated by Jobin,
A slightly differing interpretation of the above "Bach spirals" can be worked out, based on equal beating characteristics of fifths and major thirds of C-major, rather than the equal ratio of fifths leading to pure thirds, such as assumed by Jobin.
Jobin: see https://www.clavecin-en-france.org/spip.php?article52
A text discussing the calculated alternatives based on interval beat calculations, for sure clear to any musicologist, possibly assisted by some mathematician, is submitted for possible publication at PIANISTIK (https://europianofrance.org/).
It became clear that an assumption leading to perfect equal beating of five fifths and three major thirds, meets the assumed characteristics of spirals very well. An almost identical hypothesis, includes almost equal beating of six fifths and three major thirds..
An extensive version of the above referred text can be downloaded.
Calvet believes a beat rate approach can make sense.
Key results (diapason: A4 = 440)
5 fifths and 3 major thirds, with perfectly equal beat
Broekaert Johan 2021-01-05 firstname.lastname@example.org
|Very sincere thanks to:
Prof. E. Amiot, A. Calvet, E. Jobin, T. Paintoux: they were kindly open for communications and interchanges of ideas, leading to this disclosure.
My daughter Hilde: she drew my attention to investigate on what musicians want (diatonic interval purity) and not on what might be someone's preferred musical temperament.